{"id":3656,"date":"2025-07-02T11:21:11","date_gmt":"2025-07-02T09:21:11","guid":{"rendered":"https:\/\/bookstar.mk\/?p=3656"},"modified":"2025-09-17T09:24:58","modified_gmt":"2025-09-17T07:24:58","slug":"pristignati-35-prevodi-za-nagradata-dragi-2025","status":"publish","type":"post","link":"https:\/\/bookstar.mk\/en\/pristignati-35-prevodi-za-nagradata-dragi-2025\/","title":{"rendered":"35 TRANSLATIONS IN COMPETITION FOR THE \"DRAGI\" AWARD 2025"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">July 2nd 2025<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">The publishing house Antolog from Skopje announces:<\/span><\/p>\n<p style=\"text-align: center;\"><b>35 TRANSLATIONS IN COMPETITION FOR THE \"DRAGI\" AWARD 2025\u00a0<\/b><b>\u0417\u0410 \u041d\u0410\u0413\u0420\u0410\u0414\u0410\u0422\u0410 \u201e\u0414\u0420\u0410\u0413\u0418\u201c 2025\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3657 size-large\" src=\"https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-1024x768.jpg 1024w, https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-300x225.jpg 300w, https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-768x576.jpg 768w, https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-1536x1152.jpg 1536w, https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-2048x1536.jpg 2048w, https:\/\/bookstar.mk\/wp-content\/uploads\/2025\/07\/1000011568-16x12.jpg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The organizational committee of the \u201cDragi\u201d award<\/span><span style=\"font-weight: 400;\">has the honor to announce that by the final deadline for the nominations (July 1st 2025), 35 prose, fiction pieces translated in Macedonian have been nominated and delivered, in physical, but also in digital form. Competing for the award are 33 translators. The nominated books are published by 18 different publishing houses or individuals, and there are translations from 17 different languages. The books come from 35 international authors that have written novels, short stories <\/span><span style=\"font-weight: 400;\">essays, diaries etc.<\/span><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Following, the complete list of nominated books (in alphabetical order by the first letter of the names of the translators):<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Andrijana Papikj - Man\u010deva<\/b><span style=\"font-weight: 400;\"> for the translation from French of \u201cLes Ann\u00e9es\u201d (\u201e\u0413\u043e\u0434\u0438\u043d\u0438\u0442\u0435\u201c) by Annie Ernaux, published by <\/span><i><span style=\"font-weight: 400;\">\u201cIlika\u201d,<\/span><\/i><span style=\"font-weight: 400;\">\u201cIlika\u201d, 2025 (digital);<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Branislav Mir\u010devski <\/b><span style=\"font-weight: 400;\">for the translation from Bulgarian of \u201cLost in Freedom\u201d  (\u201e\u0417\u0430\u0433\u0443\u0431\u0435\u043d\u0438 \u0432\u043e \u0441\u043b\u043e\u0431\u043e\u0434\u0430\u0442\u0430) by Vladimir Zarev, published by <\/span><i><span style=\"font-weight: 400;\">\u201cIli-Ili\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Branislav Mir\u010devski <\/b><span style=\"font-weight: 400;\">for the translation from English of \u201cBorder: A Journey to the Edge of Europe\u201d (\u201e\u0413\u0440\u0430\u043d\u0438\u0446\u0430: \u041f\u0430\u0442\u0443\u0432\u0430\u045a\u0435 \u0434\u043e \u0440\u0430\u0431\u043e\u0442 \u0432\u043e \u0415\u0432\u0440\u043e\u043f\u0430\u201c) by Kapka Kasabova, published by <\/span><i><span style=\"font-weight: 400;\">\u201cIli-Ili\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Violeta Tan\u010deva - Zlateva<\/b><span style=\"font-weight: 400;\"> for the translation from Bulgarian of \u201cStars Under the Eyelids\u201d (\u201e\u0405\u0432\u0435\u0437\u0434\u0438 \u043f\u043e\u0434 \u043a\u043b\u0435\u043f\u043a\u0438\u0442\u0435\u201c) by Nikolay Terziyski, published by <\/span><i><span style=\"font-weight: 400;\">\u201cTri\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Daniela To\u0161eva <\/b><span style=\"font-weight: 400;\">for the translation from Ancient Greek of \u201cHysmine and Hysminias\u201d (\u201e\u0425\u0438\u0437\u043c\u0438\u043d\u0430 \u0438 \u0425\u0438\u0437\u043c\u0438\u043d\u0438\u0458\u201c) by Eustathios Makrembolites, published by <\/span><i><span style=\"font-weight: 400;\">\u201c\u010cudna \u0161uma\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Darko Spasov<\/b><span style=\"font-weight: 400;\"> for the translation from Slovenian of \u201cLenin Park\u201d (\u201e\u041be\u043d\u0438\u043d\u043e\u0432 \u043f\u0430\u0440\u043a\u201c) by Tadej Golob, published by <\/span><i><span style=\"font-weight: 400;\">\u201c\u010cudna \u0161uma\u201d, <\/span><\/i><span style=\"font-weight: 400;\">2024;\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dragana Evtimova<\/b><span style=\"font-weight: 400;\"> for the translation from Slovenian of \u201cThe Sorcerer's Apprentice\u201d (\u0427\u0438\u0440\u0430\u043a\u043e\u0442 \u043d\u0430 \u0432\u043e\u043b\u0448\u0435\u0431\u043d\u0438\u043a\u043e\u0442\u201c) by Evald Flisar, published by <\/span><i><span style=\"font-weight: 400;\">\u201cProzart\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Du\u0161anka Kaevska<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Ksenija \u010co\u010dkova<\/b><span style=\"font-weight: 400;\"> for the translation from German of \u201cCollected works\u201d (\u201e\u0421\u043e\u0431\u0440\u0430\u043d\u0438 \u0440\u0430\u0441\u043a\u0430\u0437\u0438\u201c) by Franaz Kafka, published by <\/span><i><span style=\"font-weight: 400;\">\"Antolog\"<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Gjoko Zdraveski<\/b><span style=\"font-weight: 400;\"> for the translation from Serbian of \u201cDeath and the Dervish\u201d (\u201e\u0414\u0435\u0440\u0432\u0438\u0448\u043e\u0442 \u0438 \u0441\u043c\u0440\u0442\u0442\u0430\u201c) by Me\u0161a Selimovi\u0107, published by <\/span><i><span style=\"font-weight: 400;\">\"Antolog\"<\/span><\/i><span style=\"font-weight: 400;\"> 2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Eli Pujovska<\/b><span style=\"font-weight: 400;\"> for the translation from Dutch of \u201cLegends, myths and fantasy\u201d (\u201e\u041b\u0435\u0433\u0435\u043d\u0434\u0438, \u043c\u0438\u0442\u043e\u0432\u0438 \u0438 \u0444\u0430\u043d\u0442\u0430\u0437\u0438\u0438\u201c)  by Louis Couperus, published by <\/span><i><span style=\"font-weight: 400;\">\u201cMakavej\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><b>\u00a0<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Eli Pujovska<\/b><span style=\"font-weight: 400;\"> for the translation from Dutch of \u201cTrophy\u201d (\u201e\u0422\u0440\u043e\u0444\u0435\u0458\u201c) by Gaea Schoeters, published by <\/span><i><span style=\"font-weight: 400;\">\u201c\u010cudna \u0161uma\u201d,<\/span><\/i><span style=\"font-weight: 400;\">, 2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ermis Lafazanovski <\/b><span style=\"font-weight: 400;\">for the translation from Romanian of \u201cThe summer my mother had green eyes\u201d ( \u201e\u041b\u0435\u0442\u043e\u0442\u043e \u0432\u043e \u043a\u043e\u0435 \u043c\u0430\u043c\u0430 \u0438\u043c\u0430\u0448\u0435 \u0437\u0435\u043b\u0435\u043d\u0438 \u043e\u0447\u0438\u201c) by Tatiana \u021a\u00eebuleac, published by <\/span><i><span style=\"font-weight: 400;\">\u201cTri\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Zvonko Taneski <\/b><span style=\"font-weight: 400;\">for the translation from Slovak of \u201cUnicorns\u201d (\u201e\u0415\u0434\u043d\u043e\u0440\u043e\u0437\u0438\u201c) by Barbora Hrinova, published by <\/span><i><span style=\"font-weight: 400;\">\u201cPerun artis\u201d<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Zoran Spasovski<\/b><span style=\"font-weight: 400;\"> for the translation from Turkish of \u201c Husein Felahot\u201d (\u201e\u0425\u0443\u0441\u0435\u0438\u043d \u0424\u0435\u043b\u0430\u0445\u043e\u0442\u201c) by Ahmet Mithat Efendi, published by <\/span><i><span style=\"font-weight: 400;\">\u201cAlmanah\u201d<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Irena Jur\u010deva<\/b><span style=\"font-weight: 400;\"> for the translation from English of \u201cThe Black Cat\u201d (,\u0426\u0440\u043d\u0438\u043e\u0442 \u043c\u0430\u0447\u043e\u0440 - \u0440\u0430\u0441\u043a\u0430\u0437\u0438 \u0437\u0430 \u043c\u0438\u0441\u0442\u0435\u0440\u0438\u0458\u0430\u0442\u0430\") by Edgar Allan Poe, published by <\/span><i><span style=\"font-weight: 400;\">\u201cTri\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Iskra Dimkovska <\/b><span style=\"font-weight: 400;\">or the translation from Italian of \u201cThe Library of Heartbeats\u201d ( \u201e\u041e\u0441\u0442\u0440\u043e\u0432\u043e\u0442 \u043d\u0430 \u0441\u0440\u0446\u0435\u0431\u0438\u0435\u045a\u0435\u0442\u043e\u201c) by Laura Imai Messina, published by <\/span><i><span style=\"font-weight: 400;\">\"Antolog\"<\/span><\/i><span style=\"font-weight: 400;\"> 2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jasminka Markovska <\/b><span style=\"font-weight: 400;\">for the translation from Norwegian of \u201c Morning and night\u201d ( \u201e\u0423\u0442\u0440\u043e \u0438 \u0432\u0435\u0447\u0435\u0440\u201c ) by Jon Fosse, published by <\/span><i><span style=\"font-weight: 400;\">Artkonekt<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kalina Maleska <\/b><span style=\"font-weight: 400;\">for the translation from English of \u201cFree: Coming of Age at the End of History\u201d (\u201e\u0421\u043b\u043e\u0431\u043e\u0434\u0430: \u0441\u043e\u0437\u0440\u0435\u0432\u0430\u045a\u0435 \u043d\u0430 \u043a\u0440\u0430\u0458\u043e\u0442 \u043d\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0430\u0442\u0430\u201c) by Lea Ypi, published by <\/span><i><span style=\"font-weight: 400;\">\u201cIli-Ili\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Katerina Sotirova<\/b><span style=\"font-weight: 400;\"> for the translation from Italian of \u201cAmphorae\u201d (\u201e\u0410\u043c\u0444\u043e\u0440\u0430\u201c) by Luigi Pirandello, published by <\/span><i><span style=\"font-weight: 400;\">\u201cIli-Ili\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Katica Garoska - Acevska<\/b><span style=\"font-weight: 400;\"><strong>\u0430<\/strong> or the translation from Serbian of \u201cSemper Idem\u201d (\u201eSemper Idem\u201d) by \u0110or\u0111e Lebovi\u0107, published by <\/span><i><span style=\"font-weight: 400;\">Polica<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kristina Stamenova <\/b><span style=\"font-weight: 400;\">for the translation from Chinese of \u201cI am not a Mistress\u201d (\u201e\u0408\u0430\u0441 \u043d\u0435 \u0441\u0443\u043c \u043f\u0440\u0435\u0459\u0443\u0431\u043d\u0438\u0446\u0430\u201c ) by Liu Zhenyun, published by <\/span><i><span style=\"font-weight: 400;\">\u201cMakedonika litera\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Lidija Tanu\u0161evska<\/b><span style=\"font-weight: 400;\"> or the translation from Polish of \u201cThe Empusium\u201d (\u201e\u0415\u043c\u043f\u0443\u0441\u0438\u043e\u043d\u201c)  by Olga Tokarczuk, published by <\/span><i><span style=\"font-weight: 400;\">\"Antolog\"<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ljubica Arsovska<\/b><span style=\"font-weight: 400;\"> or the translation from English of \u201c The Genius and the Goddess\u201d ( \u201e\u0413\u0435\u043d\u0438\u0458\u043e\u0442 \u0438 \u0431\u043e\u0436\u0438\u0446\u0430\u0442\u0430\u201c) by Aldous Huxley, published by <\/span><i><span style=\"font-weight: 400;\">Artkonekt<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Mariana Pala\u0161evska<\/b><span style=\"font-weight: 400;\"> for the translation from German of \u201cWolf\u201d (\u201e\u0412\u043e\u043b\u043a\u201c) by Sa\u0161a Stani\u0161i\u0107, published by <\/span><i><span style=\"font-weight: 400;\">Polica<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Marija Girevska<\/b><span style=\"font-weight: 400;\"> \u0437\u0430 \u043f\u0440\u0435\u0432\u043e\u0434\u043e\u0442 \u043e\u0434 \u0430\u043d\u0433\u043b\u0438\u0441\u043a\u0438 \u0458\u0430\u0437\u0438\u043a \u043d\u0430 \u201e\u041f\u0430\u0442\u043e\u0442 \u0434\u043e \u0418\u043d\u0434\u0438\u0458\u0430\u201c \u043e\u0434 \u0415\u0434\u0432\u0430\u0440\u0434 \u041c\u043e\u0440\u0433\u0430\u043d \u0424\u043e\u0440\u0441\u0442\u0435\u0440, \u0438\u0437\u0434\u0430\u043d\u0438\u0435 \u043d\u0430 <\/span><i><span style=\"font-weight: 400;\">Marija Girevska<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Mario Stojanovski<\/b><span style=\"font-weight: 400;\"> for the translation from English of \u201cThe Seed Keeper\u201d (\u201e\u0427\u0443\u0432\u0430\u0440\u043a\u0430 \u043d\u0430 \u0441\u0435\u043c\u0438\u045a\u0430\u201c) by Diane Wilson, published by <\/span><i><span style=\"font-weight: 400;\">\"Matica\"<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Milan Damjanovski<\/b><span style=\"font-weight: 400;\"> for the translation from English of \u201cTen stories\u201d (\u201e\u0414\u0435\u0441\u0435\u0442 \u0440\u0430\u0441\u043a\u0430\u0437\u0438\u201c) by O. Henry, published by <\/span><i><span style=\"font-weight: 400;\">\u201cSvetla komora\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Nikola Kuzmanovski<\/b><span style=\"font-weight: 400;\"> for the translation from English of the \u201cThe Shadow over Innsmouth and Other Stories of Horror\u201d (\u201e\u0421\u0435\u043d\u043a\u0430\u0442\u0430 \u043d\u0430\u0434 \u0438\u043d\u0441\u043c\u043e\u0442 \u0438 \u0434\u0440\u0443\u0433\u0438 \u0433\u0440\u043e\u0437\u043e\u0442\u0438\u0438\u201c) by H. P. Lovecraft, published by <\/span><i><span style=\"font-weight: 400;\">\u201cPoligramaton\u201d<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sa\u0161o Ognenovski<\/b><span style=\"font-weight: 400;\"> for the translation from Croatian of \u201cThe Case of My Own Peril\u201d (\u201e\u0421\u043b\u0443\u0447\u0430\u0458\u043e\u0442 \u043d\u0430 \u0441\u043e\u043f\u0441\u0442\u0432\u0435\u043d\u0430\u0442\u0430 \u043f\u043e\u0433\u0438\u0431\u0435\u043b\u201c ) by Kristian Novak, published by <\/span><i><span style=\"font-weight: 400;\">\u201cPerun artis\u201d<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sa\u0161o Ognenovski<\/b><span style=\"font-weight: 400;\"> for the translation from Croatian of \u201cWhy Did I Lie to You\u201d (\u201e\u0417\u043e\u0448\u0442\u043e \u0441\u0443\u043c \u0432\u0435 \u043b\u0430\u0436\u0435\u043b\u0430\u201c ) by Julijana Matanovi\u0107, published by <\/span><i><span style=\"font-weight: 400;\">\u201cPerun artis\u201d<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sonja Stojmenska - Elzeser<\/b><span style=\"font-weight: 400;\"> for the translation from Polish of \u201cOn the Beautiful Blue Djevnice\u201d (\u201e\u041d\u0430 \u0443\u0431\u0430\u0432\u0430\u0442\u0430 \u0441\u0438\u043d\u0430 \u0414\u0436\u0435\u0432\u043d\u0438\u0446\u0435\u201e) by Antonin Bayaya, published by <\/span><i><span style=\"font-weight: 400;\">\u201cPerun artis\u201d<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Svetlana Ko\u010dovska - Stevovikj<\/b><span style=\"font-weight: 400;\"> for the translation from Ancient Greek of \u201cEphesian Tale\u201d (\u201e\u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0430 \u043e\u0434 \u0415\u0444\u0435\u0441: \u0410\u043d\u0442\u0438\u0458\u0430 \u0438 \u0425\u0430\u0431\u0440\u043e\u043a\u043e\u043c\u201c) by Xenophon, pubvlished by <\/span><i><span style=\"font-weight: 400;\">\u201cIli-Ili\u201d,<\/span><\/i><span style=\"font-weight: 400;\">2025;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Stefan Markovsk <\/b><span style=\"font-weight: 400;\">and <\/span><b>Viktorija Mitrikeska - Markovska<\/b><span style=\"font-weight: 400;\"> for the translation from English of \u201cMax Havelaar: Or the Coffee Auctions of the Dutch Trading Company\u201d (\u201e\u201e\u041c\u0430\u043a\u0441 \u0425\u0430\u0432\u0435\u043b\u0430\u0440 \u0438\u043b\u0438 \u0430\u0443\u043a\u0446\u0438\u0438\u0442\u0435 \u0437\u0430 \u043a\u0430\u0444\u0435 \u043d\u0430 \u0445\u043e\u043b\u0430\u043d\u0434\u0441\u043a\u0430\u0442\u0430 \u0442\u0440\u0433\u043e\u0432\u0441\u043a\u0430 \u043a\u043e\u043c\u043f\u0430\u043d\u0438\u0458\u0430\u201c) by Eduard Douwes Dekker, published by <\/span><i><span style=\"font-weight: 400;\">\"Sovremenost\"<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Stefan Markovsk <\/b><span style=\"font-weight: 400;\">and <\/span><b>Viktorija Mitrikeska - Markovska<\/b><span style=\"font-weight: 400;\"> for the translation from Croatian of \u201c Small Ordinary People\u201d (\u201e\u041c\u0430\u043b\u0438 \u043d\u0435\u043e\u0431\u0438\u0447\u043d\u0438 \u043b\u0443\u0453\u0435\u201c) by Miro Gavran, published by <\/span><i><span style=\"font-weight: 400;\">\"Sovremenost\"<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Filip Dimevski<\/b><span style=\"font-weight: 400;\"> for the translation from Polish of \u201cMasquerade\u201d (\u201e\u041c\u0430\u0441\u043a\u0430\u0440\u0430\u0434\u0430\u201c) by Witold Gombrowicz, published by <\/span><i><span style=\"font-weight: 400;\">Begemot.<\/span><\/i><span style=\"font-weight: 400;\">2024;<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The three-member jury committee for awarding the prize for the best translation in the Macedonian language \"Dragi\" this year will consist of <\/span><b>Jana <\/b><b>Jana Mihajlovska PhD<\/b><span style=\"font-weight: 400;\"> (librarian and president of the Library Association of Macedonia; representative of the family of Dragi Mihajlovski)<\/span><span style=\"font-weight: 400;\">,<\/span> <b>Anastasija Gjur\u010dinova PhD<\/b><span style=\"font-weight: 400;\"> attending professor at the Department of Italian Language and Literature and translator<\/span><b>;<\/b><span style=\"font-weight: 400;\"> representative proposed by the Faculty of Philology \"Bla\u017ee Koneski\") and <\/span><b>Ivan \u0160opov<\/b><span style=\"font-weight: 400;\"> (writer and translator, representative proposed by the publishing house \"Antolog\").\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The award consists of a plaque, Dragi statuette and a monetary award consisting of 40.000 denars.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This year's edition of the \"Dragi\" award was realized by the publishing house \"Antolog\" with the support of the Ministry of Culture and in cooperation with the Faculty of Philology \"Bla\u017ee Koneski\" - Skopje<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400; font-size: 10pt;\">The annual award for best literary translation in \u041cacedonian - Dragi was announced in 2022 with the first honorary recognition awarded to Dragi Mihajlovski (1951-2022), a \u041cacedonian writer, translator, essayist and professor. Besides his prose work, Mihajlovski has left a meaningful and eternal footstep in Macedonian culture with the translation of Shakespeare, Milton, Shelley, Blake, Eliot. and others. He has published several studies and essays about the theory of translation and his opinions about literary translation have also inspired students at the  Faculty of Philology \"Bla\u017ee Koneski\" in Skopje, where he was a professor.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Follow us on:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Facebook<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u041d\u0430\u0433\u0440\u0430\u0434\u0430 \u0414\u0420\u0410\u0413\u0418<\/span><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/nagradadragi\/\"><span style=\"font-weight: 400;\">https:\/\/www.facebook.com\/nagradadragi\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Instagram<\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/www.instagram.com\/nagradadragi\/\"><span style=\"font-weight: 400;\">nagradadragi<\/span><\/a><\/span><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; July 2, 2025 \u00a0 The Antolog Publishing House from Skopje announces: 35 TRANSLATIONS ARRIVED FOR THE \"DRAGI\" AWARD 2025\u00a0 \u00a0 \u00a0 \u00a0 The organizer of the \"Dragi\" Award announces that by the deadline for submitting nominated titles (July 1, 2025), 35 prose works translated into Macedonian have arrived, both in printed and e-book form.\u2026<\/p>","protected":false},"author":3,"featured_media":3657,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,34],"tags":[],"class_list":["post-3656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesti","category-vesti-2025","category-20","category-34","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - 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